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"Into the Spider-Verse" brings an exhilarating, freeform, hip-hop sensibility to Spider-Man, giving the hero a new alliterative name - Miles Morales - and a surrogate Spider-Family rendered in different animation styles. Alas, anyone hoping for a traditional depiction of Spidey's larger rogues gallery would perhaps better be served watching "Spider-Man: The Animated Series." And speaking of animation. Only the plainclothes Shocker underwhelms. And then there's Michael Keaton as the Vulture, who's a bad dad but one of the MCU's better villains. As it turns out, humor was always the missing ingredient. Make no mistake about it: Tom Holland is the best live-action Spider-Man. Traditionalists might balk at seeing Spider-Man's suit tied to Stark Tech, but the MCU has already drawn heavily from Marvel's "Civil War"-era comics. This is just one more example. The film's title references Peter's school's homecoming dance while also letting us know that Spidey's back at Marvel where he belongs. It may stage action on the Washington Monument and Staten Island Ferry, but with its bodegas and house parties, it feels truer to the "friendly neighborhood" spirit than any other Spider-Man movie. "Homecoming" frees the audience from another unnecessary origin rehash and frees Peter from the baggage of getting people killed.
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It's just to say that this is a less of a standalone movie than some of the others in this eight-legged ranking. Indeed, we've now moved from the "worst" half of the list to the "best" half. Also, because "Far from Home" is the first follow-up to "Avengers: Endgame," much of it is interwoven with a larger shared universe. Nevertheless, with seven Spider-Man movies before it, "Far from Home" chooses to distance itself from some elements of its hero's history. Mary Jane has become Michelle Jones and Sandman has become an Easter egg (along with Hydro-Man and Molten Man, all of whom turn out to be nothing more than elemental holograms). Had Mysterio been the bad guy in 2004 instead of 2019, it feels like the filmmakers or their studio overlords would have chickened out on a look like that. His drone-enhanced mo-cap suit strikes the right balance between a pseudo-realistic and comics-accurate costume, and justifies Mysterio's fishbowl helmet. From its convenient convergence of construction cranes to its conspiracies in improbable train-car hideouts, "The Amazing Spider-Man" duology is perhaps best summed up by Aunt May actress Sally Field, who said of it: "You can't put ten pounds of s*** in a five-pound bag." Here, Peter Parker is no longer an everyman, but rather the only person on earth whose DNA would allow him to become Spider-Man.
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Once again, we've got a garbage Goblin, plus a clunky mech Rhino who's as much of a disgrace to the source material as the Silver Samurai was the year before in "The Wolverine." Show us Paul Giamatti in a padded onesie, you cowards! Electro lights up Times Square with his blue crackling energy, and while he's basically a glowworm in a hoodie, he's less of an eyesore than the Lizard.Īt least a new screenwriting team contributes some funny dialogue even as they radically alter the mythos. "The Amazing Spider-Man 2" is still a mercenary endeavor that gets lost in the setup for a Sinister Six spinoff, which, of course, never happened. Ranking his eight movies is sure to inspire debate, but with "Spider-Man: No Way Home" on the way, there's no better time to do it. In the comics, Spidey has a rogues gallery on par with Batman's, but his film franchise has struggled to deliver on that promise.
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Yet, there's a sense in which a Spider-Man movie is only as good as its villain.
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For years, his balloon flew through Manhattan in Macy's Thanksgiving Day Parade. Spider-Man is arguably the world's most recognizable superhero. You know the drill: with great power comes great responsibility, and so on. His origin would be told and retold so often it became expendable. Tobey Maguire, Andrew Garfield, and Tom Holland took turns embodying the web-slinger in live-action, while a bevy of different voices brought animated versions of the character to life. That changed with the dawn of the superhero movie millennium, which brought a revolving set of Spider-Men to the big screen. Fans hoping for a real Spider-Man film could only fantasize about the James Cameron blockbuster that never was. Around the same time, a short film based on Toei's television adaptation, "Spider-Man," played in Japanese theaters.
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Two decades earlier, select episodes of "The Amazing Spider-Man" TV series enjoyed a theatrical release outside the U.S. In the '90s, Spider-Man was caught in a web of litigation that made it seem like he'd never get his own, proper film.